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Neo-Operas Quicktime Movie: ORFREO excerpt ORFREO
IS NOW AVAILABLE ON DVD COMPOSER'S
NOTES Below are five neo-operas - the genre definition of these works is still controversial. For instance, Waking in New York was described by the New York Times (Kozinn) as "a lovely, effecting and affecting song cycle", and technically, that is correct, but the New York City Opera called it an opera when it featured it in the VOX festival. My neo-operas are operatic in their treatment of the voices and characters and the dramatic nature of the music, but the sound varies according to each piece, and can include computer-generated or other electronic tracks, or unusual combinations of instruments; antiquated plots are not to be found in their librettos; they can also integrate multimedia visual elements. The subjects deal with what some call the 4th dimension - collective consciousness beyond sensory perception, but the emotions are human and intense. There are settings of Verlaine, Rilke, Allen Ginsberg, Michael Andre, Sumner Carnahan, and some of my own writing. In relation to story-based opera, my librettos are like Ellsworth Kelly vs. Michelangelo, or possibly even like Duchamp vs. Picasso. WAKING
IN NEW YORK THE
DEUS EX MACHINA CYCLE THE
DEATH OF DON JUAN EXISTENCE |
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Contact Elodie Lauten elauten@yahoo.com |
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Contact
her representative: Jeffrey James jamesarts@worldnet.att.net
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Photos:
Milton Fletcher, 2007
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